Author: Josh Sharo
Examining Debussy and the notion of impressionism, Sharo concludes that reducing an entire composer's output to a single stylistic term does a disservice to not only that composer, but to audiences, "minor" pieces that are ignored or forgotten, and "minor" composers who are not easily categorized.
To view the entire blog post, please click here.
This blog post was created as a project for Dr. Lindsay Johnson's course MUSC 322: Music History II (1700-1915).
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Posted: February 1, 2018, 10:05 AM
