A champion of contemporary music, Lisa Cella has performed throughout the United States and abroad. She is Artistic Director of San Diego New Music and a founding member of its resident ensemble NOISE. With NOISE she has performed the works of young composers all around the world. Lisa is co-artistic director of NOISE’s annual festival of modern music entitled soundON. Lisa co-founded the flute collective inHALE, a group dedicated to developing challenging and experimental repertoire for two and three flutes. inHALE was an invited ensemble at the National Flute Association Convention in San Diego in August of 2005. She, along with Franklin Cox, is a founding member of C2, a touring flute and cello duo. As a soloist, she has performed both nationally and internationally and is a faculty member of the Soundscape Festival of Contemporary Music in Maccagno, Italy and Nief Norf based in Knoxville, Tennessee. Her undergraduate work was completed at Syracuse University and she received a Master of Music degree and a Graduate Performance Diploma from Peabody Conservatory. She received a Doctor of Musical Arts degree in contemporary flute performance at the University of California, San Diego. Her main teachers include John Oberbrunner, Robert Willoughby, and John Fonville. She is an associate professor of music at the University of Maryland, Baltimore County and a founding member of its faculty contemporary music ensemble, Ruckus.
Director of Certificate Programs
Room: PAHB 264
The Low Flutes Project
Call for Scores
Exploration, devotion, and creation are at the core of my performance philosophy. My path as a flutist has been one of continuous exploration, seeking works that challenge and stretch my abilities and presenting these works to the public with the utmost care and devotion. I embrace the process of creation; I find it satisfying and exhilarating to bring a new work into existence. I would like to turn my attention to two instruments in particular: the alto and bass flutes I am drawn not only to the beauty of the instruments embodied in their core tone, but their seemingly endless capacity to create sound worlds that extend their technical and expressive capabilities. The Low Flutes Project seeks to find and create new works that shatter boundaries in sound and technique. Through commissioning, performing, and recording, I will add my voice to the body of repertoire, helping to inspire the new generation of composers to explore deeply these two instruments that have captured my passion.
I am seeking works for solo alto or bass flute for performance and possible recording for my Low Flutes Project. Only works for solo alto or bass flutes (can include electronics) will be considered. please. I am looking for music that strives to explore and extend the expressive and technically capabilities of these instruments. Maximum of 3 submissions, no fee.
Deadline: July 1, 2020
Please email to firstname.lastname@example.org with “Low Flutes” in the subject line the following:
- Pdf of the score
- Contact information
- Program note and performance history
Please send any recordings as a link.
Check out this space for updates!
Works already premiered:
Transparent Wave IX by Tom DeLio
Peace, movement 1 for bass flute, by Stuart Saunders Smith
Career Development for the Musician
New Music Ensemble
Contemporary Flute Repertoire
B. A. Syracuse University (1988)
M. Mus. Peabody Conservatory (1991)
Graduate Performance Diploma – Peabody Conservatory (1993)
D.M.A. University of California, San Diego